Culture
Toppermost of the Poppermost Edition Part 2
In this episode of 'Hit Parade,' host Chris Mulaney explores the phenomenon of songs that debuted at number one on the Hot 100, examining their lasting impact and airplay longevity. From the...
Toppermost of the Poppermost Edition Part 2
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Interactive Transcript
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How much do you know about the scandal that got Bill Clinton impeached?
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Monica Lewinsky is under the microscope.
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Bill Clinton is under siege and the White House is trying to contain the damage.
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Maybe you know the basics.
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The Clinton's presidency came to a screeching halt.
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Amid a storm of accusations involving sex, power, partisan warfare.
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If it turns out to be true, it could be the end of Clinton's presidency.
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Congress is rushing to overthrow the commander in chief.
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What determines who we believe and whose side we take in a political fight?
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Trip the secret me, take Monica Lewinsky.
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Put out the radio shack and buy a tape recorder and plug it in the phone.
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What does it mean to abuse one's power?
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I did not have sexual relations with that one.
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It is absolutely staggering that the fate of the most powerful man on the planet
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is in the hands of a completely unknown 23 year old intern.
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Subscribe to Slow Burn and Apple Podcasts.
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In late August 1992, Randy Weaver and his family were refusing to come down
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from the remote Idaho mountain top where they lived.
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Weaver, a fugitive on a federal firearms charge, has been holed up in a cabin near
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Naples for more than a year.
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The government thought Randy Weaver was a dangerous, possibly violent extremist.
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Randy and his wife, Vicki, thought the government was an agent of Satan on Earth.
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When it was all over, three people were dead
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and the government had spent millions of dollars to catch one man.
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We'll find out why the siege at Ruby Ridge unfolded the way it did
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and think about some of the questions it raises.
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What should we do about white supremacists?
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Why has the story of Ruby Ridge become an enduring myth for the far right?
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And whose fault was it anyway?
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Subscribe to Standoff, what happened at Ruby Ridge in Apple Podcasts or wherever you listen.
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Welcome back to Hit Parade, a podcast of pop chart history from Slate magazine, about the hits
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from Coast to Coast. I'm Chris Mulanfee, chart analyst, pop critic, and writer of Slates Why is
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the song number one series on our last episode? We talked about the history of songs that debut
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on the Hot 100 at number one. For most of the 20th century, this explosive chart feat was
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considered impossible, but in the 21st century era of digital music, it became not only possible,
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but more commonplace. However, many of the songs that opened on top of the chart were
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flukes from American Idol Coronation songs to forgotten superstar follow-ups to better remembered hits.
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So, which of these insta hits have actually endured? We are now going to walk through some
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categories of number one debuts, examining their modern radio spins and online streams to see
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which ones have stood the test of time. Earlier this summer, radio consultant Sean Ross,
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a friend of our podcast who's been a guest on Hit Parade the Bridge, wrote a piece for radio
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insight investigating the history of number one debuts on the Hot 100. And echoing what we covered
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in part one of this episode, Sean affirmed that these hits have always been fluky. Quote,
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the number one debut which should indicate an undeniable hit has instead included songs that come
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with an asterisk since the very beginning. To support his point, Sean went a step further.
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He checked the weekly radio spins for the dozens of number one debuts across chart history to see
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which ones are still receiving airplay in 2025. As you might guess, the results were all over the
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songs that debuted at number one as little as two years ago are now receiving few to no spins.
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For example, Slime You Out, a Drake song featuring R&B superstar Sizzah that opened
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a top the Hot 100 in the fall of 2023 was played just once on terrestrial radio during the week
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in early June 2025 that Sean investigated. And on the other hand, Miley Cyrus' self-empowerment
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anthem Flowers, which also debuted at number one earlier that same year, 2023, was still getting
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played on the radio in 2025 more than 4200 times a week. Now that's a legacy hit.
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So I will use Sean Ross's radio data plus historical Spotify play counts plus my own critical lens
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to categorize hits that have debuted at number one over the last 30 years. To recap, 85
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songs in total have opened at the top of the Hot 100 since Michael Jackson first achieved the
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feat in 1995. We've already addressed many of them in part one of our show and ranking them all
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would take too long. But also, some of the number one debuers are just not exceptional or remarkable
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songs. For example, Polo G's hit Rapstar, which debuted at number one in the spring of 2021,
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is a perfectly fine piece of melodic hip hop. It's the rapper's only solo top 10 hit,
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and as of 2025, it gets spun on the radio a little over 50 times a week. Not great, but not nothing.
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So I won't be going into detail on all of these unremarkable insta hits. Still, some of these old
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hits are notable because they have faded into the background. For our first category,
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let's cover what I call Superstar Momentum number one debuers. These are songs that opened on
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top mainly because the artist was on a roll. For example, in the first part of our show, I mentioned
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that Mariah Carey scored an early pair of back-to-back number one debuts in 1995 and 1996. But a year later,
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Carey actually scored a third number one debut.
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Honey was the first single from Carey's 1997 album, Butterfly. Produced and co-written by Sean
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Puff Daddy Combs, Honey is best remembered today for its high-budget music video, which presented
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Mariah being held hostage in a mansion, which satirized her own real-life failing marriage
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to Sony Music Executive Tommy Metola. As for the song, Honey receives only modest airplay today.
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About 40 terrestrial radio plays a week, less than either fantasy or one sweet day,
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and its lifetime Spotify streams of 100 million are lower than any of Carey's other late 90s
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number one hits. Or, if I told you Katy Perry had just one number one debut, one song that opened
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atop the hot 100, what would you guess? California girls, fireworks, roar? Well, no, actually it was this.
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Part of me was a bonus track on the 2012 special edition of Perry's Blockbuster Teenage Dream
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album. The original version of that album had generated a record five number one hits in 2010 and 2011.
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California girls, teenage dream, fireworks, ET, and last Friday night. All five climbed into the
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top spot the regular way. So, by 2012, Perry was at her imperial peak, and part of me instantly
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entered the hot 100 at number one. Today, part of me receives only 23 spins a week at US radio,
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and its lifetime Spotify plays are lower than any of Perry's other number one hits.
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Or, how about this superstar momentum chart topper?
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Hold it against me. Was the first single from Britney Spears 2011 album, Theme Fatal.
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Britney fans were eagerly anticipating the album after a three year gap following 2008's circus.
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So, when hold it against me arrived, it sold a staggering 411,000 downloads in its first week,
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the highest singles sales total of Britney's career. And it racked up a great opening radio
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audience too. But the burnout on the song was remarkably quick, and Spears fans and critics
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generally agreed that the follow-up single, Till the World Ends, was the real Britney classic.
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Till the World Ends peaked at number three in a longer chart run. But, hold it against me was the
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one that debuted on top, mostly due to timing, anticipation, and momentum. Today, hold it against me
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is only played on the radio eight times a week, according to Sean Ross's data. And its Spotify
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plays are less than half that of Till the World Ends. Again, it's not where you start, it's where you
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finish. Before we leave the superstar momentum category, I would be remiss if I didn't mention
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Taylor Swift. She's debuted atop the hot 100 a remarkable seven times. I've already highlighted
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a couple of them, including the unimpeachably popular Shake It Off and the Moody Cartigan,
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which benefited from Swift's surprise 2020 pandemic album Folkloo.
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But, arguably, the number one debut Swift scored less than five months later. The lead single from
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her other pandemic album evermore was even more momentum-driven, the ghostly ballad Willow.
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If Willow were by any artist other than Taylor Swift, it would not have gone near number one,
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because it was by Swift and the lead single from an LP that was itself a conceptual follow-up to
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Folkloo. This captivating track opened to 30 million streams, nearly 60,000 downloads,
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and a radio audience of over 12 million. Five years later, Willow falls short to Cartigan
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in Lifetime's Spotify streams. But, according to Sean Ross, Willow now receives more 2025
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radio spins than Cartigan. Sometimes a shadow can haunt the airwaves the longest.
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Life was a willow and it bent right to your window. They count me out time and time again.
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Another category of number one debut I've identified is what I call the history-making hit.
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These songs opened on top thanks to a meta-narrative, bigger than the song itself.
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In the first part of this episode, I mentioned Puff Daddy's 1997 tribute to the deceased Biggie
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Smalls I'll be missing you. But the biggest history-making number one debut of that year was
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Elton John's tribute to an even more world-renowned figure who died too soon.
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The
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Sunset
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When the rain
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City
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Candle in the wind 1997 Elton John's tribute to the late Diana Princess of Wales was a cultural phenomenon.
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The best-selling single in Hot 100 History with 11 million sold in America alone. Second only in
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the record books to Bing Crosby's White Christmas which predates the Hot 100. This rerecording of
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Elton's 1970s tribute ballad to Marilyn Monroe not only debuted atop the Hot 100 in September
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of 97, it spent 14 weeks there. The song was so massive it even turned its B-side, the
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stately something about the way you look tonight into a hit in its own right. In America,
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something actually wound up the bigger radio hit over Candle.
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And I can't explain
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But there's something about the way you look tonight.
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Sean Ross reports that Candle in the wind 1997 is scarcely ever played in 2025.
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The week he surveyed it was on the radio only four times.
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Frankly, I'm surprised it was even that many. The song is wedded in the public's mind with a tragedy.
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Meanwhile, another historic song that debuted at number one more recently but is now played
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even less than Elton's rerecorded candle is this 2020 hit by K-pop boy band BTS.
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I don't know if I can see it.
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Life goes on could be categorized more than one way. It's a momentum-driven number one debut
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because it came just a couple of months after BTS's first number one debut. The better remembered
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hit Dynamite. But the reason I call Life Goes On Historymaking is its language. The song is
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sung mostly in Korean only a few lines of the chorus are in English.
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That makes Life Goes On the first and to date the only hot 100 number one song largely in Korean.
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The reason it debuted at number one was due mostly to the loyal fandom of the BTS army.
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And today the song has no modern airplay footprint. Zero spins on terrestrial radio in 2025.
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But its cultural status was momentous. And at a time when Korean pop is back atop the charts
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this year thanks to the recent Netflix musical K-pop demon hunters. And by the way those songs are
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also partially sung in Korean.
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BTS's Life Goes On deserves recognition for helping to pave the way for this globalism on the
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American pop charts. Some other historic number one debut include the 2021 chart topper by Taylor
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Swift. Yes, her again. With her re-recording of her classic power ballad all too well.
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Why historic? It's the longest number one song in hot 100 history. Longest as in running time.
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The re-recording lasts over 10 minutes. Indeed Swift even titled her re-recording a hem. All too
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well, parentheses 10 minute version, parentheses, Taylor's version, parentheses from the vault.
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When this single debuted at number one in November 2021 it beat two prior long playing number one
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hits. The Beatles 7 Minute Plus, Hey Jude, and Don McLean's 8 Minute Plus American Pie.
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McLean held the record for running time for nearly 50 years. But Swift beat him by two minutes.
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The length of the song and fans curiosity about the story embedded in its lyrics about Taylor's
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breakup with a famous Hollywood actor fueled the number one debut even more than the songs acclaimed.
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All too well.
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The last wave of history making number one debut came just last year in 2024 when a series of hip hop
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diss tracks topped the hot 100 for the first time. As I argued in our July episode of Hit Parade
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on the history of diss or beef records and early 2024 number one debut by Megan Thee Stallion.
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A sharp-tongued track called Hiss was arguably the first rap beef record to top the big pop chart.
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Megan's short-lived but history making hit never received much airplay. Sean Ross counted three
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radio spins in a week this summer and its Spotify streams are also modest. But Hiss opened the
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cultural floodgates for an even bigger 2024 rap battle between Kendrick Lamar and Drake.
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That beef was kicked off by Kendrick's smash like that with future and Metro Boomin and his solo
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joint not like us. All of these songs not only commanded the zeitgeist they all debuted at number one.
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In rap lore beef records make history and less we forget sometimes history has an edge.
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We'll be back momentarily.
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I'm Dalia Lysway. I'm Mark Joseph Stern. We host Amicus Slates podcast about courts, the law,
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and the Supreme Court. Trump's second term is speedrunning the collapse of America's constitutional
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guardrails. And as we lurch into a new term at the high court the people of the United States are
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asking can he do that? The Roberts Court is so far answering hell yeah. We're tracking the law
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and the lawlessness of this constitutionally precarious moment. We truly believe that legal knowledge
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is power and it's not just for lawyers. So join us as we speak to the experts, the thinkers,
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the court watchers, and the litigators who can break it all down. Follow Amicus wherever you get
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your podcasts. That's AMI-C-U-S. New episodes every Saturday. We'll see you there.
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Hey it's Anna Sale host of Death Sex and Money. The podcast from Slate about the things we think
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about a lot and need to talk about more. And recently we asked you to tell us stories about your
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beauty interventions. What you've decided to invest time and money in to improve your appearance.
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So I looked at my dad and I looked at him carefully and said no no no no no no no we are we are going
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to sail in a different direction than this. We heard from people who spent thousands on plastic
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surgery, fillers, and skincare routines and from others who decided to reject pressure
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like covering grades. It's kind of like why do I need to do that? I mean for you is it for you?
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Because you're embarrassed to have a friend or a spouse with gray hair. I mean what is the
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encouragement from? And you told us about feeling caught between viewing appearance improvements as
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vanity and recognizing how much looking a certain way affects your relationships, career,
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and self-worth. I'd like to think of myself as a person with depth, a person who values intelligence
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and kindness and yet sometimes I worry that my appearance in the doors that my appearance have opened,
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those are going to close if I don't continue to look this particular way.
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Listen to this episode and more Death Sex and Money episodes wherever you get podcasts.
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A third category of number one debut is what I call the spin-off. These are seemingly new soloists
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who enter at number one because they are spinning off from an already established group. One of the
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most challenging things in the world is the first category because even though it was Hills' first-ever
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single, her prior success with the Fuji's gave her on trade to the penthouse right away. You might say
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he'll was a debutante but also a veteran. One of the most popular sources of spin-off acts is
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the boy band. In the mid-2010s, the first member of British boy band, one direction to go solo,
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was Zane Malik and his first single was a smash right out of the box. Ironically, with that single,
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Malik achieved something that had eluded the boy band. He scored an American number one hit.
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In its five years together, one D only got as high on the hot 100 as number two.
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Recorded under the mononym Zane, 2016's pillow talk entered on top.
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By the way, curiously, the one direction member who went on to the most successful solo career
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by far, Harry Styles did not score a number one hit for several years after one D's hiatus,
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and he didn't score his first number one debut until 2022 with the blockbuster as it was. By then,
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Harry was a long-established superstar with his boy band days well behind him. This debut was not
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really a spin-off. Because Harry Styles is now the bigger star, as it was, has a much larger
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radio profile than Zane's hit does. Pillow Talk was only played 44 times on US Radio in a week
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this year, as it was, which was also 2022's song of the summer, is still played over 2700 times
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a week. Still, in the chart history books, both Zane and Harry have number one debut to their names.
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Another boy band that has spun off multiple soloists with number one debut is the aforementioned
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BTS, which went on a multi-year hiatus in the mid-2020s while its members served out their mandated
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South Korean military service. During the hiatus, two members of BTS scored American number one's,
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and both debuted on top in 2023. Jimman, who took his techno-bop like crazy to number one in the
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spring of 23, and Jong-Kook, who teamed with American rapper Lotto for his summer 23-banger 7.
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Between the two BTS soloists, Jong-Kook's hit has proven more enduring, with more than 70 US
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radio spins a week. Jimmans had none, and 7 also has nearly twice as many lifetime Spotify streams
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like Crazy Does. Before we leave BTS, I should note that they also kind of sort of spun off
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another number one debut a few years ago, by teaming with a veteran rock band. Their duet with
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Coldplay, 2021's My Universe, gave the Chris Martin fronted British band their only number one debut.
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Is it really fair to regard Coldplay as a side effect of the popularity of BTS? For this one song,
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yes. It was Coldplay's first number one hit of any kind since Viva La Vida in 2008, more than
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13 years earlier. As of 2025, though My Universe only garners 17 radio spins a week on Spotify,
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its 1.5 billion streams ranks the song among Coldplay's most streamed hits, higher even than older
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hits like clocks or speed of sound. Talk about the BTS bump.
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Sure, it was weird for a British rock band to team up with a South Korean boy band,
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but that's hardly the oddest insta hit ever. Let's talk about another category,
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Weird Number One Debuts.
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We've talked about Harlem Shake, the fluke hit by Philadelphia DJ Bauer in several prior hit
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parade episodes. It qualifies as both a novelty song and a quasi-instrumental hit,
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and its debut at number one was fueled by a Billboard policy change in 2013,
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when the magazine began counting YouTube views for the Hot 100 for the first time.
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The meme ability of Harlem Shake helped it rack up over 100 million video views in its first week
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on the chart, giving Bauer, who never touched the Hot 100 before, a freak number one debut.
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According to Sean Ross, it now receives no radio spins, but then radio was never a major part
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of the whole Harlem Shake phenomenon. And speaking of YouTube sensations,
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when's the last time you heard this is America by Childish Gambino, the
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Nome der App of actor, writer, singer, Donald Glover? Probably not in a long time.
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Sean Ross clocked it at just 11 radio spins a week, and on Spotify,
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its lifetime plays are lower than five other Childish Gambino hits. But back in 2018,
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Glover's indictment of American culture was a sensation. Coming in at number one on the Hot
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100, a week after its disturbing inflammatory and much-meamed video premiered the same night
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Glover debuted the song on Saturday Night Live. That video did more to fuel this is America's
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number one debut than the song itself did, but it would go on to win the Grammy for song and record
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of the year in 2019. With its blend of Afrobeats, hip hop, and withering satire, there's never been
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a Hot 100 chart topper quite like this is America. I would also classify many of rapper
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Travis Scott's chart toppers in the weird category, especially his 2020 number one debut, The Scott's,
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whose artist credit was officially listed as The Scots.
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The Scots was a one-time only name for the duo of Travis Scott with veteran rapper Scott
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Miscudi, better known as Kid Cutty. Travis Scott dreamed up the song as the soundtrack to a special
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appearance in the world-building online video game Fortnite Battle Royale. Scott premiered The Scots.
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Again, that's the name of both the group and the song within Fortnite before releasing it as a
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single. With that massive gamer audience who were all stuck at home at the height of the 2020
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pandemic, The Scots exploded onto the Hot 100 at number one, fueled by 42 million streams and
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67,000 downloads. And now, The Scots was played only 10 times on the radio in a week in 2025,
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according to Sean Ross. StereoGum number one's columnist, Tom Bryan aptly calls this meandering song
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quote, a chart-topping pop hit that does not exist. Unquote. These weird hits by childish
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Gambino and The Scots were by artists who had at least scored hits before. Maybe the weirdest
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number one debut of all was by a performer who'd never touched a chart before. He'd barely even
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recorded before. And yet, in the summer of 2023, the first-ever chart hit by a man with a beard
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and a couple of sleeping dogs entered the Hot 100 at number one.
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Oliver Anthony, born Christopher Anthony Lunsford, he released his songs under the pseudonym
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Oliver Anthony Music. Recorded an acoustic folk-screeed called Rich Men North of Richmond,
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on video with a scraggly beard and a couple of snoozing pooches. An incoate rant that was hard
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to summarize politically. In the lyrics, Anthony complains about both billionaires and welfare
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recipients. The unadorned recording caught fire as the 2024 presidential race was just starting
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to heat up. Tens of millions of Americans bought and streamed the song, pushing it onto both the
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pop and country charts, where it instantly materialized on top. As you can imagine,
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this happenstance of a hit did not have long coattails. Anthony scored only one more Hot 100 hit,
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a twangy B-side called Ain't Got a Dollar, which peaked at number 82.
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And then Oliver Anthony Music never touched the Hot 100 again. Rich Men North of Richmond
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lasted 20 weeks on the Hot 100 before falling off. Two years later, Sean Ross clocked the song
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receiving one spin on US Radio in early June 2025. I'd love to know what station played at this year
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and why. And its lifetime Spotify total of 321 million streams is higher than some Mariah Carey hits.
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So let's say this for Oliver Anthony. He left his mark. And in 2023, he may have foreshadowed
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the results of the 2024 election. Wish I could just wake up and it not be true, but it is. Oh, it is.
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We'll be right back.
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Hey, it's Mary Harris. Hostar Slade's Daily News podcast, what next?
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I'm talking with Amicus co-host Mark Joseph Stern about the Supreme Court's new term,
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which technically starts this week. The thing about this year, though, is that Mark feels like he
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already knows who's going to win in court, Donald Trump, which leaves him with a whole other question.
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Can he call these justices judges? The law is changing every day, it seems. And the Supreme
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Court is often changing the law without explaining itself. So it's again hard to conceptualize that
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his law hard to describe it accurately or fairly as judging. It looks a lot more like a super
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legislature, just passing a bunch of statutes that it thinks are best for the country and doing so
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without ever receiving a single vote from the American people. Check out what next, wherever you listen.
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How much do you know about the scandal that got Bill Clinton impeached?
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Monica Lewinsky is under the microscope. Bill Clinton is under siege and the White House is
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trying to contain the damage. Maybe you know the basics. The Clinton's presidency came to a
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screeching halt amid a storm of accusations involving sex, power, partisan warfare.
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If it turns out to be true, it could be the end of Clinton's presidency.
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Congress is rushing to overthrow the commander in chief. What determines who we believe,
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and whose side we take in a political fight?
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Trip the secret me, tape Monica Lewinsky.
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Put out the radio shack and buy a tape recorder and plug it in the phone.
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What does it mean to abuse one's power?
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I did not have sexual relations with that one.
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It is absolutely staggering that the fate of the most powerful man on the planet is in the hands of
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a completely unknown 23 year old intern. Subscribe to Slow Burn and Apple podcasts.
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In late August 1992, Randy Weaver and his family were refusing to come down from the remote
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Idaho mountain top where they lived. Weaver, a fugitive on a federal firearms charge,
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has been holed up in a cabin near Naples for more than a year.
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The government thought Randy Weaver was a dangerous, possibly violent extremist.
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Randy and his wife Vicki thought the government was an agent of Satan on Earth.
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When it was all over, three people were dead,
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and the government had spent millions of dollars to catch one man.
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We'll find out why the siege at Ruby Ridge unfolded the way it did,
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and think about some of the questions it raises.
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What should we do about white supremacists?
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Why has the story of Ruby Ridge become an enduring myth for the far right?
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And whose fault was it anyway?
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Subscribe to Standoff, what happened at Ruby Ridge in Apple podcasts or wherever you listen.
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For my last couple of categories, let's cover the most dubious and the most glorious number one
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debuts, and with apologies to Spike Lee, let's go lowest to highest.
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On the low end, my bucket of lamest number one debuts includes most of the American idol
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coronation songs I already mentioned. None of them is great.
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Among the more modern number one debuts in the lame category, we have to talk about Drake.
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Not to beat up on the guy after Kendrick Lamar took him to the cleaners last year, but here's the thing.
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Drake currently holds the record for most number one debuts in Hot 100 History.
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This, by the way, is mostly a reflection of how prolific Drake is besides his enduring popularity.
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An amazing nine of Drake's 13 career number one hits started in the penthouse,
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and at least half of those number one debuts are terminally lame.
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These number one debuts are not even representative of Drake's best work.
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You might suppose his chart toppers would include consensus faves like take care,
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started from the bottom, or hotline bling, and nope, none of those Drake standouts even reached
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number one, let alone debuted there. If I told you the titles of some Drake songs that have
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debuted on top, you'd have to be a pretty big Drake fan to even recall them. They're a
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mishmash of, huh? Jimmy Cooks? What's next? The aforementioned slime you out, and my vote for
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Drizzy's lamest overall number one debut, the instructional dance record, yes, you heard me,
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Drizzy's slide. It's Drake's version of the Hoki Pokey.
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Drake named Drizzy's slide after an Atlanta-based influencer and dance performer who calls himself
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Tussy. Drake asked Tussy to help him come up with a dance he could describe in a song.
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The dance they came up with, left foot up, right foot slide, is childlike in its simplicity,
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and it's paired with some of the least exciting, least danceable music imaginable.
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The fact that Drake released it at the start of the 2020 pandemic and shot its video wearing a mask
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by himself in an empty Toronto mansion may have contributed to the song's dour mood.
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Stereo Gums Tom Bryan calls Tussy's slide, quote, a lockdown throwaway.
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Unquote. According to Sean Ross's data, Tussy's slide does garner a little over 50 spins a week,
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which isn't nothing. But Drake has had much better hits. Even better number one
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debuts will come back to him. Just a few weeks after Tussy's slide debuted at number one in the
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spring of 2020, another hip hop track opened on top that might be even worse. Trolls spelled with
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a Z and performed by the aggressively provocative rapper 6'9 with help from female rap legend Nikki
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Manage.
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Professional troll Daniel Hernandez, aka Tikashi 6'9, recorded this song specifically to score a
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number one debut and prove a point about the corrupt ability of the Billboard charts. He and Nikki
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made it as lewd and learing as possible and they were rewarded on the chart. Five years later,
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Trolls generates only three radio plays a week. I kind of wish it were none. Like Drake, Nikki is a
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vitally influential rapper whose highest charting hits do not represent her well. Two years after
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the 6'9 joint, she scored a number one debut of her own, the Rick James sampling Super Freaky girl.
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It's well at least better than Trolls, but that's mostly because Super Freaky Girl is built out
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of a big chunk of James' classic Super Freak. Three years after it opened on top, Super Freaky Girl
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scores about 150 radio spins a week, according to Sean Ross. So those are my votes for the
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lamest number one debut. What about the enduring ones? You can subdivide the cream of the crop
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between the number one debut that have proven eternally popular and those I actually love.
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The former category are the earworms you've got to give it up for. Love them or hate them,
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they were phenomena. I'm thinking of, for example, Justin Timberlake's aggressively cheerful
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can't stop the feeling, which opened at number one in 2016.
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Timberlake's catchy smash still gets spun on the radio more than 600 times a week,
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or the following year Ed Sheeran's brain fungus Shape of You, which not only debuted on top,
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Sheeran's first ever chart-topper, it stayed at number one a dozen weeks. I have both poked at
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and praised this song in prior hit parade episodes. It's both annoying and irresistible,
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and it still gets spun nearly 1500 times a week on US radio.
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By the way, Sheeran's Shape of You has something in common with the following year's Drake Smash
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Gods Plan, one of his more respectable number one debuts.
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Shape of You and Gods Plan are the only two number one debuts in Hot 100 History to be named
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Billboard's number one hit of the whole year, 2017 and 2018, respectively.
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It's harder for a number one debut to wind up as the year's top hit. As we discussed in our hits
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of the year episode, generally slower growing songs tend to take the title. Explosive number one
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debuts tend to have fewer weeks on the chart overall, but The Sheeran and Drake hits outlasted
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the competition, and Gods Plan still gets played around 225 times a week in 2025.
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Gods Plan, Gods Plan, I can't do this on my own.
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As for my personal favorites, I've already discussed several of them,
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songs that are both musically exceptional and still generate hundreds of radio spins and
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thousands of Spotify streams to this day. They include Mariah Carey's fantasy.
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Lauren Hills do op that thing. Adele's Hello and Lady Gaga's Culture Shifting pro-LGBTQ Anthem
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born this way. Believe it or not, Drake has one of my favorites. 2018's Nice for What,
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his follow up to Gods Plan. Both songs debuted atop the hot 100 back to back. Nice for What is,
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I'd argue, the better song and one of Drake's most infectious bangers. Apparently, radio listeners
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agree. Nice for What generates higher radio spins in 2025, nearly 300 a week, about 30% higher
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than Gods Plan.
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Among Ariana Grande's seven number one debuts, I still enjoy 2018's Thank You Next, her sweet
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and salty kiss off to her famous former lovers. It still generates over 100 radio plays a week
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in 2025. Though it doesn't receive quite as much airplay for, perhaps, obvious reasons,
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I'm also a fan of Cardi B and Megan The Stallions gleefully ribbled WAP, a number one debut in 2020.
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In 2025, it's played fewer than 80 times a week at US radio, but considering the song, that's a
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pretty impressive number. I'd call WAP a bold statement of women's sexual freedom, but that would
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sell short just how fun it is. Among Boyband BTS's five number one debuts on the hot 100,
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their best is still their first 2020's Dynamite, a disco style bop with silly lyrics and irresistible
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energy. It's still played around 60 times a week on US radio, but I think it should be more.
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As K-pop becomes more entrenched among American DJs, post K-pop demon hunters, Dynamite may come
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to be regarded as a radio classic. Finally, I am a pretty big fan of the eclectic rock adjacent
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pop star Olivia Rodrigo, whose track record so far is unique. She has three number one songs on the
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hot 100 total. She's the sole performer on all of them, no featured artists or duets, and all three
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of them debuted at number one. Rodrigo is the only artist with that exceptional chart record,
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a career sweep of number one debuts, and by the way, all three songs are 2020's pop classics,
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including her 2021 torch ballad driver's license. Which spent eight weeks at number one,
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and still gets spun on the radio more than 300 times a week. Then there's Rodrigo's pop punk
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banger, Good for you. It debuted on top a bit later in 2021. Stayed there for only one week,
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but is to this day an even bigger airplay jam. More than 1200 radio spins a week in 2025.
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And finally, there's Rodrigo's most unique chart topper, the hybrid torch ballad and
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operatic rocker vampire. I affectionately refer to it as Olivia's Bohemian rhapsody.
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In 2023, vampire debuted on top of the hot 100, fell out of the number one spot for a while,
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then came back to number one nine weeks later. Talk about an enduring hit. Two years later,
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according to Sean Ross's data, vampire is still heard on the radio nearly a thousand times a week.
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I was reflecting on the uniqueness of vampire recently, while watching footage of Rodrigo's
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blockbuster tour in support of her acclaimed 2023 album, Gutz. The tour took Rodrigo all over the
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world, and wherever she went, fans sang along lustily to vampire and all of her hits.
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Those cars are good to be good, don't care about what you want.
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These are the fans who made Olivia's songs number one debuts in the first place.
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When each song dropped, these fans couldn't wait to hear them and play them over and over again.
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There were enough of these rabid fans that the songs exploded onto the charts,
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but in all cases, Rodrigo's songs gradually became favorites of more passive audiences too.
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Ideally, this is how the charts are supposed to work. The loyal fan gets the fire started,
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and if the song is great, the larger public keeps it burning for weeks, months, and years to come.
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I hope you enjoyed this episode of Hit Parade. Our show was written, edited, and narrated by
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Chris Malanfee. That's me. My producers this month were Olivia Briley and Kevin Bendis.
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Kevin also produced the latest installment of our monthly Hit Parade The Bridge shows,
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which are available exclusively to Slate Plus members. In our latest bridge episode,
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I welcome author and chart scholar Chris Dalariva to talk about the ex-factors that
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characterize number one hits, including number one debuts. To sign up for Slate Plus and hear
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not only the bridge, but all our shows the day they drop, visit Slate.com slash Hit Parade Plus.
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Our supervising producer is Joel Meyer, and the executive producer of Slate Podcasts is Mia Lowbell.
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Check out their roster of shows at Slate.com slash podcasts. You can subscribe to Hit Parade wherever
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you get your podcasts, in addition to finding it in the Slate culture feed. If you're subscribing
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on Apple Podcasts, please rate and review us while you're there. It helps other listeners find
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the show. Thanks for listening, and I look forward to leading the Hit Parade back your way. Until then,
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keep on marching on. How much do you know about the scandal that got Bill Clinton impeached?
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Monica Lewinsky is under the microscope. Bill Clinton is under siege and the White House is
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trying to contain the damage. Maybe you know the basics. The Clinton's presidency came to a
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screeching halt amid a storm of accusations involving sex, power, partisan warfare. If it turns out
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to be true, it could be the end of Clinton's presidency. Congress is rushing to overthrow the
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commander in chief. What determines who we believe and whose side we take in a political fight?
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Trip the secret me, take Monica Lewinsky. Put out the radio shack and buy a taker cord and plug it
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in the phone. What does it mean to abuse one's power? I did not have sexual relations with that one.
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It is absolutely staggering that the fate of the most powerful man on the planet is in the hands of
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the completely unknown twenty-three. Subscribe to Slow Burn and Apple Podcasts.
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In late August 1992, Randy Weaver and his family were refusing to come down from the remote
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Idaho mountain top where they lived. Weaver, a fugitive on a federal firearms charge,
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has been holed up in a cabin near Naples for more than a year. The government thought Randy Weaver
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was a dangerous, possibly violent extremist. Randy and his wife Vicki thought the government was
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an agent of Satan on Earth. When it was all over, three people were dead, and the government had
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spent millions of dollars to catch one man. We'll find out why the siege at Ruby Ridge unfolded the
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way it did, and think about some of the questions it raises. What should we do about white supremacists?
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Why has the story of Ruby Ridge become an enduring myth for the far right? And whose fault was it anyway?
spk_0
Subscribe to Standoff, what happened at Ruby Ridge, in Apple Podcasts or wherever you listen.
spk_0
Subscribe to Standoff, what happened at Ruby Ridge, in Apple Podcasts or wherever you listen.
Topics Covered
Bill Clinton impeachment
Monica Lewinsky scandal
Clinton presidency
Ruby Ridge siege
Randy Weaver
pop chart history
number one debuts
digital music era
Elton John Candle in the Wind
Taylor Swift number one hits
BTS Life Goes On
K-pop in American charts
historical pop songs
chart analysis
music industry trends