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Yara Ma Yha Who: Fairy Tale Flip Ep 19
In this episode of Fairy Tale Flip, hosts Vanessa Y. Rogers and Donna Lee Field explore the Aboriginal Australian myth of Yara Ma Yha Who, a unique and unsettling tale of a toothless vampire that prey...
Yara Ma Yha Who: Fairy Tale Flip Ep 19
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Interactive Transcript
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Welcome, welcome to Fairy Tail Flip, the what a month are we in September episode.
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And we are talking about Yor Mah Yahu.
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I'm Vanessa Y. Rogers and my co-host is Donna Lee Field and every month we come together
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to talk about fairy tales and flip them on their heads and understand their underpinnings,
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understand their historical context and what makes them mean something to our society today.
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Why have they stuck around for so long?
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There's a reason that these stories have continuously been told through the generations and that's
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what we're really getting at today.
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We're diving into a very out of our comfort level story today and we're going to talk about
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that a little bit.
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It's the Yor Mah Yahu, if you've never heard of this story, definitely you're going to want
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to stick around because this is a fascinating story from the Aboriginal Australia mythology.
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So you're going to want to hear this.
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And Donna is going to give us the summary of the story.
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Yeah, and I love this Vanessa.
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I love how you're saying that we're going to explore why these stories last so long,
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especially this one, the Yor Mah Yahu.
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It's from, it's so cultural, it's so tied to the culture and so what we're going to do in this story
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and you all can tell us if we do it well or not.
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We think that we've researched it pretty clearly is show what I'm going to do.
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I don't think we talk about this Vanessa.
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I'm going to show how in the European tradition culture is not as tied to the story as in the
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Aboriginal culture in different ways.
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I'll say in different ways and we're going to talk about whether you believe that or not,
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whether you're, you're not.
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And also we want to say, Vanessa and I both have this experience as we're typing it in
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research and we both wrote, wrote, aborigines and both of us got our computers saying,
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no, no, no, you mustn't say that anymore.
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It's Aboriginal and so apparently the politically correct term is that
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originals and so we're going to try to be as respectful as possible and if we cross line,
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we apologize in advance because I've spent the last six, more than six decades saying
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Aboriginal.
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Let's talk about the summary of this story and again, it's very hard to get the actual story.
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You can get the history of it, but the story itself Vanessa finally found and you can find
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that on her YouTube channel.
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I have the history of it that I thought was really fun.
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This is a quick summary.
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The Yarmaya Hu is a very nasty, nasty, toothless vampire.
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He looks like a small red man with enormous head and activist like suckers for fingers has no teeth
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again.
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It's a toothless vampire that may sound harmless but beware.
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His gums are deadly.
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If you ever sit beneath an Australian fig tree, be very careful.
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The Yarmaya Hu is likely to jump on top of you, suck all your blood out and then
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eat you.
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But wait, it gets a little more interesting.
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As soon as he's eating you, he goes to sleep and then vomit you up again.
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His victims are miraculously reborn but each time they're a little shorter and a little
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redder and actually eventually they turn into a Yarmaya Hu themselves.
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So that is the story.
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It's a crazy story.
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Now you are the one who originally found this story.
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Where did you find it and what drew you to it, Donna?
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What drew me to it?
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That's a scary question because I'm not really sure but what I was just looking for
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in different cultural fairy tales because you know we are I'm so drawn to the northern
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European tradition.
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I think you are too but I tried to branch out and I love different cultures and I just found
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this and there are a lot of different monsters in the Aboriginal mythology but this is one
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that I just found was kind of interesting.
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So the more I studied it, the more I thought wow I'm like every going to understand this.
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So if an asset of I have tried hopefully we're going to succeed.
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And you know I don't know if you did any Google searches for images but if you look up images
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they are so widespread.
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I mean knowing can seem to really like hone in on what this creature is supposed to look like.
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There are just so many different images of what the Yarmahat, the Yarmaya who looks like.
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There's descriptions of it but there's different descriptions in different regions
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and it's just a bizarre looking creature.
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Yeah it's very bubbly, very bubbly.
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And so we're going to talk about the story but this is also one thing that I told Vanessa right
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off the bat.
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This is kind of out of my comfort zone because what I love doing with Vanessa on this podcast
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is digging into the story and looking at the details and trying to figure out the symbology
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of the motifs and the themes and all that sort of thing but it's such a short story
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that what we needed to do was really dig into the culture behind it and talk about those
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sort of themes.
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Right off the bat Vanessa have you ever been to Australia and what do you know about Australia?
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I was asking you the same question.
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I have been to Australia and so I want to hear your experience because I've never been.
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I've met a lot of Australians.
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I love the Australian cultures that I have come across.
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A lot of the people that I've come across are very laid back.
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You know they use lots of fun language and sort of sunglasses.
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They say sunnies.
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They have a very at least I met a lot of people while traveling and so a lot of those people were
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partying quite a bit but I've heard that in Australia there's quite a party culture at
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least within certain groups of people.
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The first thing that comes to mind Donna when I think of Australia however is that everything
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is out to kill you.
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I used to love to watch all those Discovery Channel episodes and it would be like the dead
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tin deadlies animals and like seven of the tin deadlies animals came from Australia and it
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it was it's partially because it's so isolated but there are just so many creatures in Australia
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that are extremely venomous and extremely dangerous and I think primarily most of those are found
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in the desert areas because Australia is the driest inhabited continent in the world.
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I think 50% of Australia receives less than 12 inches of rain per year and they have extreme
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evaporation rates sometimes higher than the amount of water that they actually receive and so
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it creates this extreme dryness and so possibly because of that they have
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really interesting wildlife that just has developed to kill you.
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I don't know what has your experience been in Australia and what took you there?
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We're going to go right back to the water idea because that is really fascinating.
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It's in this mythology and it has to do with Australia also.
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When I was in my late 20s I decided to hitchhike around the world and you could do this then.
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I bought a plane ticket around the world and hitchhiked and the second place I went was Australia.
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The first place was New Zealand and New Zealand they say is kind of a very British atmosphere and
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Australia is very more free and freewheeling sort of American idea.
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Then we hitchhiked across the outback into the middle and then south.
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We didn't go to the western part of Australia but Australia is just what you're saying.
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It's 45% desert.
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It's just but it's absolutely gorgeous.
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I mean red red desert is very unusual but there's not much vegetation.
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Although the ab originals probably would not agree with me.
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I mean I grew up in the northeast when we're vegetation is just bountiful and it's a different
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type of vegetation.
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So yes they're really venomous creatures in Australia and you need to be very careful.
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But what I think that these monsters come out of is the very importance of
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warning children to be careful when they go out by themselves or with their friends because
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they need to know what's out there.
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So the stories we both did with this research on different monsters in aboriginal mythology, right?
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And we have these really scary creatures some hideout in the water, some hideout in trees,
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some hideout and you know who knows in mountains it's very intentional so that children are warned
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not to go to these certain areas and I've seen movies on aboriginals and there.
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I guess what we need to get what I'd like to get into is their they're inextricable connection
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to the earth because that has to do the story.
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So tell me if that's where you want to go right now.
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Yes I just wanted to throw out a few facts because I find it's really interesting.
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Australia is actually relatively the same size as the continental 48 states of America.
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So if you put Australia on top of America the 48 states not Australia not Alaska and Hawaii
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is almost the same exact size but the population is so drastically different because of the
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the dryness of the the desert. So there's 28 million people in Australia.
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3% of those are aboriginal people. There's 340 million Americans in the United States and
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2.0% of our population are native tribes.
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I thought that was really interesting when you're looking at the landmass and the population
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is so drastically different. Also another fun fact about Australia is that it was a penal colony.
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I think most people know about that. That it was colonized by the Dutch
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originally and then the British just decided to use it as a giant jail system and they just sent
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a bunch of people there and said here you go. Here's a really dry continent. Have fun.
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We're just going to send you away. Yeah it wasn't very nice for the aboriginals.
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No and the other thing that's really important I'm really glad you brought this whole thing up
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is that the population also is really evenly it's not evenly distributed at all. It's only on the
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east coast and on the west coast there is some population in the middle but just think of the
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United States and think about how we are fairly distributed evenly across the United States.
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But in Australia this is some 60,000, 70,000 years later when we have humans on that
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island slash continent and really the population is only on the two sides because as you're saying
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it's very isolated for most of the world. Australia is a very far away and you have to really
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want to go there if you want to live there. So there are huge farms you know thousands and
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thousands of acre farms in the middle of the outback but the population are on the two extremes.
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So what kind of farming do they are they like is it like a ranching farm or are they growing
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vegetation? Okay so they're positive again. So we were talking about the outback and what's going
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on in the middle of the outback and you know it's not really nice because it's taking over the
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aboriginals lands that's basically it and white people. That's where so awfully good at doing
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we trample on the indigenous lands and so what happened is the British came over and other people
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came over and started farming camels for instance or now they have cattle and they're doing you
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know industrial things but for our purposes what they did was they to control over the land where
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the aboriginals you have a big question. Okay so I had a lot of questions. I was like why are they
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farming camels? Are they shipping camels across the sea? What do they do? I that was where my brain was.
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Oh I just saw a documentary on it and I felt so badly because they're taking these beautiful camels
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who were free and all of a sudden they're you know I have a problem with locking animals up
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you know the vegan I believe in freedom and and all of a sudden these free camels were now in farms
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or doing work or whatever anyway that's my story about camels but it's all animals. We don't
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have to go there but I was going to ask you what what do you in your research of looking into the
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aboriginal people of Australia what did you find the most striking? My research of the aboriginals
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I think that there's no way to go past the fact that they believe that the land is alive that
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it's a living being and so they are stewards of the land and so what they're doing is they're
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sort of conduit for energy coming down into earth and the earth itself is a living being and all
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of the plants are part of an expression of this living being and their existence has to do with
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making her life easier. Their life has not been made easier and so what there's this tremendous
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angst about not being able to be out on the land and be out there as they want to be and so
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these stories are before they lost a lot of that freedom these stories are eternal.
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The aboriginals are thought to be the oldest tribes in the human history even older than a
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lot of the African tribes and so their religious beliefs their beliefs are about dreaming,
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dream time about the eternal perspective of life not just this timeline and so I was working on
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the aboriginals idea of eternity of everything has to do with eternity and for instance European
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European fairytales which have timelines which has a past, present, and future and so I was going
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there and the only you tell me this because you're such a master of researching and all different
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cultures of fairytales the only one that I could really think of that doesn't treat time as
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linear was more the Irish a time is very is very mystical and you can have people captured by
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fairies and stay in the past or go into the future and there's sort of a feeling of nebulousness
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what would you say and I know we didn't talk about that so a little bit on the spot.
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I did a little bit of research on that topic because that really challenged me to be honest the
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western timeline is very linear whereas the dream time timeline is called ever win it's vertical
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or a circular relationship and the events of creation and ancestors and dreaming is always accessible
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always continuously shaping the when we as westerners generally talk about things we talk about the past
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we talk about the present we talk about the future but for them is all kind of combined which
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in actuality if you talk to physics physicists I think that they would probably agree more
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in line with this concept but it kind of for our mindset it kind of blows our mind and it's hard
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to picture that it because of the way that we've been raised in our culture and that was something
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that really challenged me when I was thinking about the Aboriginal culture there were a lot of
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things that challenged me when thinking about this particular Aboriginal culture but that in particular
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I find hard to grasp onto I find the line really easy I'm really into time I really like understanding
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where I am at what time and scheduling my day out specifically my husband is the opposite he's
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very bad at time I think that's part of being ADHD is you have a harder time because I think your
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brain just works very differently but I like timelines and so it's hard for me to to picture it
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in this circular relationship where past and future are happening simultaneously
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now those are my thoughts no no that's perfect because we are taught it's so societal we are
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taught that for instance I'm from the East Coast and time is very important time is inflexible when
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someone tells you that you need to be somewhere 11 o'clock you need to be there at 11 o'clock or
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you were fending that person then I lived in New Mexico and there's a big Latino and fluency
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and it's like you know you can be the 11 10 11 15 don't worry about it but I realized one time my
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sister visited me in New Mexico and I said all right let's we'll meet at 11 o'clock and I was leaving
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my house at 11 and now all of a sudden I realized oh my god to her that is not acceptable I need to be
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there when I said I'd be there not you know there's this lead do not and these coasts generally have
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flexible concept of time but then what we're talking about is the past present future we're not
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that's not part of our society it's not part of Western society it's more of a control thing
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teaching you from very very young there is a definite past you're living in the present and you
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need to think about the future and that's not what you ever do and one of the reasons why this is
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difficult I'm out of my comfort zone is because I didn't grow up with that and to understand these
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stories I think it's very important to have a perspective of what creation is according to the
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Aboriginal this whole idea of eternity yeah and I definitely want to hear all about the research
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that you did I want to talk a little bit about you touched on their migration but I wanted to talk
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a little bit more in depth about it because I found that really fascinating so I so evidently
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homo sapiens have been around for about 300,000 years they've been migrating outside of Africa
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for about 80,000 years and Australia is one of the very first places that they migrated to so the
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Aboriginal Australians have effectively been on their inner country as long as modern human
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populations have been outside of Africa they migrated out into the Middle East and into Asia
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and in this particular group migrated across land bridges and then on some very short sea crossings
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and this was back when the earth looked very different than it does today back in the time
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here that they're migrating Australia Tasmania and New Guinea are all connected as a singular
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landmass about 10,000 to 12,000 years ago the water started to rise and separated them into their
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own individual islands and so they became much more isolated genetically and and so that I found
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extremely interesting that they have one of the oldest populations anywhere so just to give
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some perspective Native American tribes in the Americas that's north and south started migrating
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to the Americas 15 to 20,000 years ago and we're and they found evidence that the originals have been
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there 50 to 70,000 years ago in the Australian Oceania continent so that's extremely different
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there's tens of thousands of years different in how long they've been there now was another thing
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that came up for me is the concept of time did this come up for you?
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Well we're talking about when the Aboriginal first started walking on the planet you mean?
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Yeah yeah well there's such an old
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yeah I mean the problem for Americans old is like Ablink and log cabin that's like 200 years old
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that's old for us but we're talking tens of thousands of years is totally totally different
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you asked me a question it's a little dangerous because we might get off on a really
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really sort of eutern tangent because the answer to that is that we are controlled with what
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we were taught when we're young and we're taught that the Aboriginal for instance
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Aboriginal have been around for 300 more than 300,000 300,000 doesn't is not a drop in the bucket
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we are given information so that governments can control us a little more carefully the
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Aboriginal have been around for millions of years really I mean in my belief what I know what
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what I believe I should say is that human humanoids have been on the planet for millions and
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millions of years millions and millions but it's threatening for governments to let us believe
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that or make that general knowledge because they don't have control over that kind of information
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so you know when we talk about time again if your the government is really big on time because it's
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easier to control us if they have an inflexible timeline but the truth is that there's a lot more
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discrepancy than we might be comfortable thinking about so I would just encourage all of our listeners
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and you and I both I would encourage us to be a little more flexible about what we believe about
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what we've been told how's that okay yes okay yeah let's hear that you're the mythology that you've
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gone into well let's see let's talk about let's see all right let's talk about the outback because
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what I really wanted what I really saw is the australian outback is absolutely gorgeous and it
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has to do with their mythology so a lot of their monsters sort of blend into the colors of the outback
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and that's really interesting because in northern european fairy tales colors are also very important
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even though we may not even think about it there's brown and there's maybe some yellow and there's
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white there's always white but black is not a natural color in nature actually and red is not a
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natural color in in nature in the european and western countries and so if you have black and red
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in a story you know snow white black is what is it black is her hair and red is is her lips something
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like that that it's very it's very important it's very it's a very important motif in australia
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this little monster the yaramahua kuya is red and at first I thought ah red red is really an
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important color because it's not normal it's not natural and yet australia if you go look at pictures
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and I was there I can tell you the desert is red it's an unbelievably beautiful color red and so
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this monster isn't so much out of the norm as much as it's what can I say just be be careful
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about distinguishing the red of the desert from this little monster sitting in a fig tree how's that
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you know we have dark forests in northern fairy in northern european fairy tales forest for instance
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is very important and so there's all different types of trees that are in the forest and when you go
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through a forest it's a paradigm change for instance in the aboriginal culture we don't there
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are no forests and so you wouldn't have a monster living in a forest you have a monster sitting in
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a fig tree which is what the yaramah yaku does so what when I say so for instance vegetation in
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european stories what do you think of because we're talking about australia being a desert and the
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vegetation is is very specific what do you think about that your face do they not have forests though
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do they not have forests along the coastal sides because I was under the impression that the coast had
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more fig the story that I came across had fig grows so they had large areas of forests that were
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native to australia so I was reading it at least the one from the south eastern australia was more
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forested okay really well done because I'm looking now and there are extensive natural forests
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they're eucalyptus eucalyptus forests covering 131.5 million hectares in in australia and as you
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said they're more on the coast it's a different type of forest it's a little more open it's not as
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dark the sun comes through so isn't that canopy that covers the forest as much so again to me it's
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very different there are some rainforests which do have a very strong canopy but it's only 3% of the
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whole country and I will say the yaramah yahu is said to stay hang out in fig trees which confused me
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because the only fig tree that I'm familiar with is bushy it's not really a thick tree but when I
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was looking up fig trees in australia it's very different looking than the fig tree that I'm
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familiar with do you have fig trees around where you grew up or where you live you know it's really
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interesting I'm living on this land with every kind of tree but not fig trees well yeah I'm not
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seeing someone explain the sacredness of fig trees to the aboriginal people and I can talk about that
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a little bit more but it had a very thick trunk the fig tree that I have growing in my backyard
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has like a tiny like it just kind of has like little branches that grow up and then grow up
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tall but it's nothing that someone could sit into and so I was having a hard time imagining
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something sitting in a fig tree but it's just a different breed of trees so it's it's very much
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a much taller tree and much dirtier branches than what I had been picturing in my brain
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interesting okay so how does that sort of add or detract from the story if you have a more
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barren fig tree with a red little bubbly monster sitting in it right I was thinking like how can
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this thing hide in this tree but I will you can I just say that the sacredness of the fig trees
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is important to the story because it highlights the connection between the people and the natural
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settings it is considered a natural gathering place so there's a story about having women having
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their newborns leaning against the trunk of the tree and offering the tree the placenta by
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bearing it under the roots and placing the tree the baby the newborn baby within the grooves
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of the fig tree roots to to wash the baby and and there's an ancestral connection because it's
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believed that these fig trees house spirits that link to the dream time which is part of the
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aboriginal mythology that we're going to talk about and the tree itself represents resilience
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and interconnectedness so the fig tree is is not by accident in this story yeah I can't
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imagine that it is but again what you're describing is another way for the the aboriginals to show
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the connection to nature and the trees are living spirits and each tree has a spirit it's
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own spirit living in silence so you're offering the baby to the fig tree as if saying here's
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another steward for you we are we are inextricably connected to you and we were you know we honor you
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we are here for you and so here's another new baby for you that will take care of you
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and so all I can you know all that comes up for me is that because they need to be very diligent
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about what's going on above them below them to the left and to right of them they need to
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create this little monster sitting in a fig tree to make sure that you know a venomous snake is
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not up there about to fall on them which could very well happen for a spider friends yeah yeah
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so I wanted to talk about the water a little bit because one of these one of the elements of the
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story is if the maria who gets a little impatient about falling a victim it will go to the tribes and
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drink all the water out of the well and I thought that was kind of interesting because it's very
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specific in Australia living in a desert water is survival so water is very literal in this story
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I don't know if I I love making things into deeper meaning and in this case I can just say that
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it's very literal whereas again in European fairy tales water has many different meetings is water
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is more abundant is more abundant in the United States more abundant in Europe and so it's not
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necessarily as a motif for survival water in European fairy tales can be for instance to purify
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there was a there's an illustrator that you and I know very well Gustave Dore will
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illustrate a lot of pro stories and for him water represents feminine purity and also pain
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and if we go to the Greek myth with narcissists water is a mirror and it can represent truth or can
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represent what you want it to say you know it could also be a portal to something else so I thought
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that was really interesting again getting to my comfort zone of playing with one one motif in
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the story of water and how different it is in different cultures so did you come up with that?
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It also made me think yeah it made me think of I didn't think about water in that way but there's
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a story that I read to my kids and the it's the old woman who made rice dumplings and it's this
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little Japanese folktale where this woman is escaping from Onis at the end they're just like
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these giant monsters and in order to stop her from escaping on a boat they drink up all of the water
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just like the Yama Yahu so I feel like this is a setting that is seen throughout different folktales
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where creatures will drink up all of the water to prevent someone from escaping in that version
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that you were talking about where the the Yama Yahu will drink up all the nearby wells and the
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watering holes it's in order to make the human go to the tree to drink up the tree sap so that they
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will more likely be re-attacked by the Yama Yahu. Ah nice detail you found there okay sort of you
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seducing them into it's it's a it's a place of criminal activity yeah yeah it's forcing them
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towards the trees again all right and so what did you get about blood because this is also first
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the Yama Yahu will suck all the blood out of its victim and then set the person into it and it's
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to it's a very being and then regurgitate it all so it's it can walk around but what did you
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do? How did blood be so interesting? So when I initially think about blood my initial reaction is
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bad right we think about blood being on the ground if one of my children is bleeding
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bad right if a vampire is sucking your blood bad but really blood is so crucial it's our life
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force it's it represents vitality and when we don't have blood that's bad right and so it's
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it's interesting that my initial my initial reaction is blood bad but really it's the draining of
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blood the lack of blood is really what I am having that reaction to and the the Yama Yahu
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instead of being a vampire like we think in European fairy tales or not fairy tales folk folklore
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the vampires use fangs right and then they they suck up the blood using the mouth instead the
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Yama Yahu has suckers and so these suckers have yeah no teeth they have suckers on their hands
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and their feet and they can cut into the flesh and then from their hands and feet they suck
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up the blood but they leave just enough to keep the person alive so that they can run away and be
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swallowed by the version that I found and told my youtube channel is the queen comes and she
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swallows the person whole after the colony has already drained a lot of the blood and then she's
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the one who's regurgitating him back out by the water but I think that the similarity between
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the European vampire and the Yama Yahu is interesting because both victims can be transformed
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into the same creature that attacks them to initially right because when a vampire can turn
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its prey into a vampire by performing specific rituals to turn it into a vampire the same is true
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for the Yama Yahu if you were swallowed enough times and attacked enough times you turn into the
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predatory creature that you were initially afraid of and so it really is this representation of
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respecting spiritual and social rules in in Europe it's more about this religious symbolism
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and gothic horror whereas in the aboriginal tribes it has more to do with the being respectful of
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the land around you and what is out there to be afraid of interesting all right and there's also one
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of I didn't I never read anything about the queen and the colony sucking the blood out I was always
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just one little bubbly red man but there's also one other part of it and it's that once he
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sucks on blood and regurgitates the victim then the Yama Yahu will walk away and if the person
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who has been regurgitated moves and jump back on them and and eat them again but if the person learns
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to play dead and not move then the Yama Yahu walks further away but it's a long process it walks
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further away and then it spends a half a day looking at the victim and walked a little further spend
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another half a day and to me all that means is that it's to teach the children about discipline
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being really careful about what animals are seen by them because they need to be
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stone still and so they won't be a victim that's what I got yeah that's really interesting so I
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I found something else on that because there's this really there's this variation that I came across
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that is not found in all of them and this variation is about the Yama Yahu not doing its ritual
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of checking on its victim just right so there's this pacing away and returning and poking with
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the stick and tickling under the arms that the Yama Yahu is supposed to perform exactly as
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prescribed and if it doesn't the fig tree will mumble into its ear mysteriously some sort of secret
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message and it transforms the Yama Yahu into a glowing luminous mushroom that is sticks to the
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fig tree and that that is a form of spiritual repatriation or not performing the ritual as it's
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intended to go which that's the first I had seen that and I thought that was really interesting and
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it was really representational of how important ritual is to the aboriginal people and that was
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something that challenged me as well did you come across the importance of ritual and that when
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you were looking into the aboriginal teacher yeah I mean that's just an integral part of them the
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ritual is fundamental to their belief system in their lives so even those those aboriginalists
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that were captured hit kidnapped as young children and brought into western societies still follow
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the rituals and and if you want to go so far as that they were still able to telepathically
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communicate with their elders they were still taught as much as they needed to know so that when
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they finally were freed some of them were they could go back to the outback and continue the rituals
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is that some of the things you found so I kind of looked into the importance of ritual because when
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I think of ritual I was trying to think like of what ritual is important for me and I did like a
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quick search for like western ritual and there's this huge difference between the western as a
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symbol or tradition not as a process that literally has to be maintained to maintain the world's
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order or personal well-being but in aboriginal society it's very spiritually oriented and every day
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life log land kinship community it's all infused with this spiritual meaning and the ritual is
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the means by which the people actively participate in and sustain that order and so while in the
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western world we come part mentalized ritual and we see it as optional even people who are
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of a religious nature who go to church regularly you know the catholic church specifically is
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extremely ritual oriented it's not a requirement there's a lot of ritual in the catholic church but if
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you don't perform it there's nothing really that's going to occur that is bad that happens to you but
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in aboriginal society it is very important that these rituals are maintained for their social order
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for their ecological balance and their spiritual law and for me and I was kind of thinking about
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that and for me I'm not a person who really likes a lot of structure I like Lucy Goosey structure
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so ritual for me would be really hard yeah I love that you said the ritual has to do with the
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practice not necessarily the belief system and I think that's true although I think that one of
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the problems we have in the United States and again this may be controversial is that we don't
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have enough rituals or that the rituals are spiritual necessarily I mean we can have a ritual
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of going to Chinese food every Sunday that's a ritual you know our family likes to go to Chinese food
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every Sunday or ritual is sitting down and watching TV with the bowl of popcorn that's a ritual
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you know it's not necessarily a belief system and I think that we had more sort of dates rituals
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based on spiritual beliefs we'd be a happier community or a happier population and I think that
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we have become a very superficial culture if we ever were deep if we ever were but I think it's
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becoming individual so for instance meditation is ritual for me now I meditate twice a day and
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that becomes a ritual now it's challenging because I did not grow up that way and that's not part
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of the Western society to make meditation a part of your daily life but so for me it's more in the
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Aboriginal perspective that that is absolutely fundamental practice meditation am I being kind of clear
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so yeah you know superficial medit rituals and deep-seated rituals and I think that we both are
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seeing is that the aboriginals have deep-seated belief system in the rituals and they're trying to
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teach their children the importance of continuing the practice of those rituals I agree yeah yeah
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and there's just one other thing Vanessa I wanted to just go back very briefly just very
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briefly to the whole blood topic in the story where the Yama Yahoo success the blood and I
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maybe you know this there's a story I read when I was young I do not know what it was and I wish
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I remembered where there was some character who was who was isolated out in the desert and he
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explained that he he drained some of the blood from his wrists and heated it over a fire and
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drank heated blood and that's what kept him alive so it's not it doesn't his own blood his own blood
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he's own blood he didn't have water he didn't have food he kept alive by drinking his own blood
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which I found fascinating it just brings and he boiled it he boiled it for some reason if I
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knew which story it was I could remember why he boiled it that's crazy that's a really interesting
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story so another blood is important many different levels I wanted to talk a little bit about
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the thoughts some there's some theories two main theories about the origin of the story I've
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mentioned I think when we were talking about the Persephone and Hades story about mythic memory or
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folk memory and I use the Noah's Ark example as a time you know Noah's Ark is a story that's
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in the Old Testament but it's not just found in the Old Testament it's found in stories and cultures
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all over the world which indicates to a lot of people the Old Testament has the story of Noah's
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Ark but it's found the story of an epic flood is found in stories across cultures and so it's
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thought that this is a story that it holds meaning it's based on a natural phenomena or a true
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event a Trojan War is an example that I recently found as well it's found in Homer's Iliad of this
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10-year epic saga and for centuries people thought it was just a story but they've recently archaeologists
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recently found in excavations that there is some geographical descriptions of Troy that match
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a some findings that they found in Turk in modern day Turkey to indicate that this the city of Troy
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might have actually existed and so all of that to say is that there's two main theories of what
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the Yaramaya who might be based upon because there's no actual creature that
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scientists or anyone has currently seen with their eyes that is alive that matched those
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the description did you come across anything like that or how many dots
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no no I mean of all the mythological figures figures that are associated with Aboriginal
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mythology no scientist has ever seen any of them I mean some of them right they might have seen an
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animal that have been like abnormal but nothing like the actual mythology yeah so the two main
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theories that exist is one is melee settlers so people from Malaysia came with their stories of
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the Tarziar this is a creature that you probably are not very familiar with they have like giant
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eyes they're really tiny they have suckers on their hands they're carnivorous they're purely
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carnivorous they jump out of fig trees and they jump onto people out of fig trees they don't I don't
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think they actually intend to attack people but they have jumped onto people and so it's very scary
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Yoda is actually based off of this actual animal they have um and so they can jump sometimes over
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five meters and so there's some people who believe that the melee settlers stories of this creature
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mixed with the original story of the Yarmaya who to kind of make it what it is in modern day
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and in the second theory is this extinct Australian lion called the Thile,
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Cello, Carnivix it's an Australian marsupial lion and it's a carnivorous marsupial that lived
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46,000 years ago and it would drop on its victims from fig trees and it was a very formidable
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powerful tree dwelling creature that would be have been very frightening but neither one of these
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are reptilian and we in the Yarmaya who story is described as a frog like although there are some
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versions where there is hair on the creature so there it's more ape-like maybe no no I love it
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because and I'd love our listeners to really look at these the images of these animals because
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there's some that are real as you're saying and their bizarre they're bizarre looking because
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they're so different from what we're used to and the northern hemisphere and so the
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aboriginals have a lot of time we're sitting around the fire to make a lot of stories about
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these unusual characteristics I do want to touch on one other part of this is religious beliefs and
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I don't think that the aboriginals we can call their beliefs religious because religion has
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oh maybe you can depending on what your definition of religion is when I say religion I think of
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church and temple and and a structure and dogma you were talking about practice the practice the
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ritual I say dogma which says a little bit of a negative connotation but their stories are infused
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with their beliefs and we can say they're infused with their religious beliefs if you want to use
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that word or not and European stories are a little bit different I think it's more societal I think
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it's a little more about magic I think it's more about wishes and dreams and I'm interested to
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hearing if you agree with this Hans Christian Anderson had a lot of religious motifs in his stories
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and actually I sometimes find it a little uncomfortable because I love the story I love the plot
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I'm not that comfortable with the Christian motifs and but it's not completely common in all
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northern European fairy tales so what do you think about using religious motifs and stories how do
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you think it adds and may subtract from the effect of the story I think a lot of these stories are
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intended to provide structure and provide an understanding of the wider world and I think that
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that this story does just that right it it's told to children to keep them out of areas that will
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definitely provide harm to them right there's lots of dangerous things in Australia that will hurt you
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in in any wilderness area right there are lots of things that can hurt you when you leave the
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comfort of your community and so wandering alone is always in almost all of these stories across the
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board across cultures almost always warn individuals against wandering alone wandering away from the
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the culture straying off of the path and so this story in particular is used to help to keep
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its children safe we talked about La Yorona several episodes back and how it's told today to children
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is a very frightening story right it's but it's told to children to keep them away from water to keep
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them from accidentally falling into water and drowning because if you're afraid of the weeping woman
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who might grab you from the water you're less likely to just go into the water on your own without
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an adult right and so these stories are intended to help set guidelines and this one is very much
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within those lines I agree with almost everything you're saying and I love how you put it and also
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love me saying don't stray off the path because it's so important and fairy tales and again it's
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about controls don't stray off the path do what the rest of the society is doing which is what most
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fairy tales are trying to teach you what is what is acceptable in different societies in different
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nor the norms of different societies but I've studied and sort of seen different perspectives of
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Northern European fairy tales so much that I see empowerment in going in by yourself so think of
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the donkey skin where the princess left place her castle her home her father where it should have been
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her her safe place to be and it was not it was a terrifying place to be and she went off alone and
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she found her her inner strength if you think of red riding hood she finds a wolf that eats her
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her own mother but you know if you look at it from the female from the feminine perspective she
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was a pretty kind of she was a strong woman she was a strong little girl and I could go through each
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of them so I guess we need to hold in a balance what the fairy tales are saying to be practical and
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safe and the other one is find your inner being and find your inner strength especially if you're
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female in a scoring believe in yourself if you're in your Australia and you're under a fig tree
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be careful but you know if you want to wander off for yourself and you have to be female you
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have as good a chance as a man wandering off by yourself that's what I have to say about that yeah
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and did you want to talk a little bit about the Aboriginal like dreaming or the dream time
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I know that you were saying that you had done some research on it I've done a little bit of research
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but it's one of those things if you'd like to talk about I really would I've encouraged you to do so
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I have not even if I researched it for a month it would not do it justice if I did it for a year maybe
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I could do it justice and so I don't want to rely any of their belief systems so why don't you tell us
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what we can find if we go online and find out what dream time is yeah it's it's basically their
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origin story of how the world came into being and as you were saying before it's
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it is encompassed by everyone eternal time concept and so basically the idea is that the supreme
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creators from the dreaming are responsible for creating the land and the people and the laws
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and the culture and then once they finished creating the world in which we currently live in
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they imbued the land and the landscape and the trees and the mountains and on the animals
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with their life force their beings and so that is strikingly different than the Christian viewpoint
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of this omnipresent omnipotent god who created it from far away and then is from up high looking down
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whereas the aboriginals see divinity in spirituality in the land and for me that was a really striking
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point in in the mythology because the Christian dogma especially there's more conservative ones
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that have this idea in which humans are intended to be dominant over nature it's intended to be
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tamed and controlled and one of the stories that came up for me while I was thinking about this was
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Walt Whitman has some poetry that he was writing in the 1850s and a lot of the people who were coming
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over are very fearful of the woods and of you know the natural order and they're trying to tame it
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and he's saying no we need to be respectful of nature we we can live in harmony we need to be
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see it as a spiritual democracy basically and it's very contrast to this Christian philosophy of
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taking control of nature and making it exploiting it and taking everything of value from it
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so that we can use it for utility purposes and um anyway so I that was striking for me
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no and I love the brought up Walt Whitman because he had he was very very deeply spiritual most of us
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don't know that about him and I studied his poetry because I was a poetry major in college
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and it never comes up I mean it doesn't come up how he was misstep he was a misstep and so
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in deep spiritual beliefs if you go into some of the poetry that is not so well known he's very
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prolific about his um deeper beliefs so yes he saw the land and probably much of the same way
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the aboriginal said that it's a living being and we don't need to be fearful of it we need to
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respect it and understand it as much as possible and that's not what we do I mean especially when he
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was here he's just taking control over it yeah yeah and and you know putting myself into the mindset
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of the pilgrims I can understand that fear right I can understand why they would be scared
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of the natural world because there's a lot of things that are dangerous in the natural world
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so I have a respect for both viewpoints because wandering into the woods there are lots of things
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that can hurt you so you can have a love and a respect for them at the same time just like
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when you're approaching any wild animal you can be respect you can love it from a distance
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and have respect for it but not necessarily go up and pet it right because it will probably
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bite your hand off or attack you um so I I try and remember that they're coming into this world
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that is so drastically different from what they are they know and they've experienced and so
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I see where they would have this deep grain fear right and I just say you know then be educated
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and talk to the indigenous people and find out what they know about it but
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let's I'm wondering if there are any other details you want to talk about the story because otherwise
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I'd love to wrap this up and talk about what now that we've could we've talked about this what
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your highlights of our conversation has been yeah highlights what are your highlights
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what are your highlights yeah no no go ahead put me on the spot it's good because I just did it
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and I think that I've been sucked into a different it comes such a different culture that it's
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definitely pushed me off of out of my comfort zone and I got angry I got angry about it and I got
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a little nervous about it and then when I just finally realized what I could do was when we learned
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something new a fact is that we learn it we learn it and assimilate it much more easily when we hold
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it next to something we already know that's a fact yeah when you learn a language you learn a
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language by learning the same word and in the language you're comfortable with etc etc and so
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when you're learning new concept you wrap it around something you already know and then twist it
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into something new so basically what I've done with this and with your you know with your
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cooperation is take this story that made me a little bit uncomfortable more than a little
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because it had to do with such a vibrant intensely spiritual culture and
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make ties to what I'm more familiar with western european societies and cultures and find
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new respect for both how's that yeah I I had I didn't have the anger that you were describing
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but I didn't really had discomfort because there were a lot of elements the Aboriginal culture
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that really threw me really were so drastically different than elements that I am familiar with
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so for instance the fact that they had no written language kind of threw me I you know they the
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Australia was discovered by the Europeans the Dutch travelers in the 1700s and the Aboriginal
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society had been there for tens of thousands of years in in Australia and they were they have
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tons of traditional knowledge and lots and lots of rich culture in their storytelling and their
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music and all sorts of elements but they have no written they have no writing system and so I had
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to kind of back my brain up in my bias against cultures and communities that don't develop a writing
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system because that's so ingrained in our society you know we you know it's so important for us to
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be able to teach our children how to read and to write because that's how we pass on our story we
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think about the Viking culture didn't really have much of a writing system the Inca empire the
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Mesoamerican cultures they didn't have writing systems like we do like with an alphabet but they had
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large populations and complex governments without that written language and so
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their society was not lesser than ours just because they didn't have a written form it's just
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but it's so hard to conceptualize a society that bases its entire traditions and knowledge and
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stories in oral transmission that's something that I really struggled with because when we were
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talking about sleeping beauty last time we could see how the story transformed throughout all of
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the different writings but we don't have this we don't have that in this Yarmaya Housh story because
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it's based off of like very small gatherings of stories of of a few elders right and I would just
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say that again you're accepting the fact that a culture can be pretty sophisticated even without
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writing and there's a lot more in the Aboriginal culture that we don't know that they're hints of
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for instance with the Aboriginal's if they talk about directions they don't say right left
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straight or backwards they say north-south-eastern-west and so but this is so ingrained in them
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that anytime you take an Aboriginal out of Australia and ask them which way to go they will know
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exactly where north-south-eastern-west is it's just in in-nate it's a nate and they're being so
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they're not using their fingers to write things down they're tuning into the rhythm the vibration
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of the earth itself and so instead of focusing on writing down words they're focusing on penetrating
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those vibrations and again being stewards to protect the earth as much as is possible and being
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part of the cosmic multiverse it's so it's so different than how we were brought up and now I find
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it fast it is very different so it's hard to rewire our brain to think of it and you know we
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can't really think of it in terms that they think of it as but we can like you were saying try and
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conceptualize it to the best of our ability by attaching it to things that we're familiar with
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that's right so I think we have done pretty well for this topic two people who did not
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open up Australia and are not Aboriginal we've been incredibly respectful because we both
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respect enormously this this culture and we probably would love to know more about it and so
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I'm really glad that we got to share this with our listeners and next week we're next month
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we're going back to a northern European story I think yes and I would like because it's October
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I would like to ask to do find a creepy story of sorts maybe a ghost story we'll we've done
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La Yarona for and then we also did the fairy the girl who danced with fairies I think there's
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were our October picks in the past so I think that's how we got into Yama Yahu I think that's how
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I found it gory monsters oh really it's supposed to be October of 2024 and so a year later we're
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doing it now you ask you ask me how I found it that's maybe okay well maybe we'll find the
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original list of stories that we were looking at for that October okay perfect all right close us
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up how you do it so well Vanessa thanks so much for listening if you know more about this Yama Yahu
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story if you have thoughts that came to you while you were thinking or challenges that you came
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across when trying to re-wire your brain into conceptualizing the aboriginal culture or this particular
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story we would love to hear from you keep the fairy tail alive and until next time
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bye everyone thank you
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you
Topics Covered
Fairy Tail Flip
Yor Mah Yahu
Aboriginal Australian mythology
cultural fairy tales
historical context of fairy tales
Yarmaya Hu
toothless vampire
Australian fig tree
Aboriginal culture
symbolism in stories
monsters in mythology
importance of storytelling
connection to the earth
indigenous lands
Australian wildlife
penal colony history